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Books : History : Other Historical Subjects : Slavery
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Years ago, Adam Hochschild came across a reference to the "five to eight million lives" destroyed in the colonial exploitation of the Congo. Startled, he realised that this had been "one of the major killing grounds of modern times. Why were these deaths not mentioned in the standard litany of our century's horrors?" His corrective history makes sobering and gripping reading. In King Leopold of Belgium, who decided to buy himself an empire to compensate for his country's smallness, he portrays a villain of Shakespearian dimensions. Aided by Stanley (of "Mr Livingstone I Presume" fame) the king appropriated a section of central Africa the size of Western Europe as his personal territory. The appalling brutality that ensued, as Europeans plundered the country for rubber and ivory, is vividly captured by Hochschild. He manages to leaven the horror with touches of grotesque humour--for instance, when tricking tribal chiefs into signing away their land for bales of cloth, Stanley would, to impress his dupes, secrete a battery in his pocket with the wires in his palm, so that on shaking hands the chief "was greatly surprised to find his white brother so strong that he nearly knocked him off his feet". Hochschild has something of Simon Schama's gift for populist history; and among other things he provides astonishing background to Joseph Conrad's Congo-set masterpiece, Heart of Darkness. --Adam Roberts
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Writer and journalist Giles Milton specializes in the history of travel and exploration. His latest literary adventure, White Gold, is the story of Thomas Pellow, a Cornish cabin boy who was captured at sea by a group of fanatical Islamic slave traders—the Barbary corsairs, taken in chains to the great slave markets of Algiers, Tunis and Salè in Morocco and sold to the highest bidder. Pellow’s purchaser happened to be the tyrannical sultan of Morroco, Moulay Ismail, a man committed to building a vast imperial pleasure palace of unsurpassable splendour built entirely by Christian slave labour. After enduring long periods of torture Pellow converted to Islam and became the personal slave of the sultan for over two decades—including a stint as a soldier in the sultan’s army—before finally making a dramatic escape and return to Cornwall. The account is supported by the unpublished letters and manuscripts of slaves and the various ambassadors sent to free them. This is an excellently written account of the history of the white slave trade. Pellow’s story is an extraordinary one but the real interest lies in the picture Milton builds of life in the slave pens and especially of daily life at the court of the spectacularly barbaric Moulay Ismail. --Larry Brown
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Writer and journalist Giles Milton specializes in the history of travel and exploration. His latest literary adventure, White Gold, is the story of Thomas Pellow, a Cornish cabin boy who was captured at sea by a group of fanatical Islamic slave traders—the Barbary corsairs, taken in chains to the great slave markets of Algiers, Tunis and Salè in Morocco and sold to the highest bidder. Pellow’s purchaser happened to be the tyrannical sultan of Morroco, Moulay Ismail, a man committed to building a vast imperial pleasure palace of unsurpassable splendour built entirely by Christian slave labour. After enduring long periods of torture Pellow converted to Islam and became the personal slave of the sultan for over two decades—including a stint as a soldier in the sultan’s army—before finally making a dramatic escape and return to Cornwall. The account is supported by the unpublished letters and manuscripts of slaves and the various ambassadors sent to free them. This is an excellently written account of the history of the white slave trade. Pellow’s story is an extraordinary one but the real interest lies in the picture Milton builds of life in the slave pens and especially of daily life at the court of the spectacularly barbaric Moulay Ismail. --Larry Brown
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