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Books : Fiction
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There was some excitement recently at the offices of Transworld, publisher of the British thriller writer Lee Child, who has so successful conquered America with his Jack Reacher adventures. Child usually produces only one novel featuring his tough ex-army action hero each year, but the latest book, 61 Hours, will be followed up with a speedily issued second new Reacher-related novel this autumn. 61 Hours -- admirers will, of course, have to have both. Sales of such Child novels as Gone Tomorrow have exceed 74,000 copies – and he continues his upwards ascent, singularly unimpeded. But the new book has Jack Reacher in the most extreme danger of his career.South Dakota is shivering under an icy winter, and the roads are particularly treacherous. As a snow storm gathers force, the tyres of a bus skid and there is a crash, stranding the bus and its passengers. And if you think that this atmospheric set-up sounds like the perfect introduction to a Jack Reacher novel, how right you are: Lee Child's granite-tough hero has hitched a ride in the back of the bus, and finds himself (like the other passengers -- a particularly ill assorted group) facing the problems of surviving in sub-arctic weather. Needless to say, Jack is able to draw on more resources in such a situation than many of his fellow passengers. Some 20 miles away from the crash is a small town, where a key witness is being guarded against sinister individuals bent on murder. And another elements in this combustible mix includes an omniscient figure who is to have a crucial role in the dramatic events that follow -- even though this figure is many miles from the frigid landscape that Jack Reacher is marooned in.
All of this is typically suspenseful fare (in fact, the real surprise would be if it weren’t -- Child is one of the most reliable writers on the face of the planet). And there’s an ending quite unlike any other Jack Reacher novel you have read. Lee Child aficionados need not hesitate. --Barry Forshaw
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# Paperback: 768 pages # Publisher: ATOM (4 Aug 2008) # Language English # ISBN-10: 1905654286 # ISBN-13: 978-1905654284
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On her way home from school on a snowy December day, 14-year-old Susie Salmon is lured into a cornfield and brutally raped and murdered, the latest victim of a serial killer. The Lovely Bones, Alice Sebold's haunting and heartbreaking debut novel, unfolds from heaven, where "life is a perpetual yesterday" and where Susie narrates and keeps watch over her grieving family and friends, as well as her brazen killer and the sad detective working on her case.As Sebold fashions it, everyone has his or her own version of heaven. Susie's resembles the athletic fields and landscape of a suburban high school: a heaven of her "simplest dreams", where "there were no teachers... We never had to go inside except for art class... The boys did not pinch our backsides or tell us we smelled; our textbooks were Seventeen and Glamour and Vogue".
The Lovely Bones works as an odd yet affecting coming-of-age story. Susie struggles to accept her death while still clinging to the lost world of the living, following her family's dramas over the years. Her family disintegrates in their grief: her father becomes determined to find her killer, her mother withdraws, her little brother Buckley attempts to make sense of the new hole in his family and her younger sister Lindsey moves through the milestone events of her teenage and young adult years with Susie riding spiritual shotgun. Random acts and missed opportunities run throughout the book--Susie recalls her sole kiss with a boy on earth as "like an accident--a beautiful gasoline rainbow".
Though sentimental at times, The Lovely Bones is a moving exploration of loss and mourning that ultimately puts its faith in the living and that is made even more powerful by a cast of convincing characters. Sebold orchestrates a big finish and though things tend to wrap up a little too well for everyone in the end, one can only imagine (or hope) that heaven is indeed a place filled with such happy endings. --Brad Thomas Parsons, Amazon.com
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Shutter Island is something of a departure for Dennis Lehane. It is not like the private eye novels with which he made his name and it is not especially like Mystic River, his distinguished crime novel about murder, loyalty and revenge. Instead, he gives us a classic of psychological suspense--US Marshal Teddy is summoned to a remote hospital for the criminally insane to look for a missing patient and finds his own future and sanity on the line. It is the 1950s and experiments with drugs, conditioning and brain surgery are all the rage both in the psychiatric profession and in the shadow world of government agencies.Teddy rapidly becomes aware that no-one he is talking to is remotely telling him the truth and that he cannot be wholly sure even of his charming new partner. As the island hospital is isolated by a hurricane, we find ourselves unable to trust a single thing that the narrative tells us--Lehane displays a gift for sleight of hand which is showily disorienting. At the same time, this is not just a box of tricks. We find ourselves caring deeply for Teddy and his partner Chuck, whatever is going on and whoever they really are.--Roz Kaveney
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Lee Child has steadily accrued one of the keenest groups of admirers for any contemporary thriller writer – and the reason is easy to discern. In such gritty and authoritative novels as Tripwire, Killing Floor and Die Trying, Child established his tough itinerant protagonist Jack Reacher as a key modern hero, with a taciturn, hard-boiled appeal that has not palled over many books (though some have queried Jack’s transformation from a man who triumphed -- with difficulty – over insuperable odds – into a nigh-invulnerable super-hero). But the narrative grasp of the author remains absolutely iron-clad, and there are the stunningly drawn American locales that are so notably impressive from an English author.In the latest outing for Jack Reacher, Gone Tomorrow, Child’s resourceful hero is travelling in New York City, observing his fellow passengers on the subway. He’s aware that suicide bombers are easy to spot – they’re usually nervous, and (as he wryly notes) by definition they're first-timers. As an ex-law enforcer, Jack notices that of his five fellow travellers, one is distinctly giving out the signals that spell danger. Grand Central Station is approaching – will Jack act and save lives – including his own? But… what if he's wrong?
This high voltage situation is the arresting curtain opener here, and the tension is screwed tighter, as Jack Reacher is pitched against the one of the most challenging threats he has come up against. Gone Tomorrow has all the dynamism of Child’s earlier work; spruced-up, super-charged and showing no sign of age. --Barry Forshaw
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