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Books : Children's Books : Authors & Illustrators : S
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Where the Wild Things Are is one of those truly rare books that can be enjoyed equally by a child and a grown-up. If you disagree, then it's been too long since you've attended a wild rumpus. Max dons his wolf suit in pursuit of some mischief and gets sent to bed without supper. Fortuitously, a forest grows in his room, allowing his wild rampage to continue unimpaired. Sendak's colour illustrations (perhaps his finest) are beautiful, and each turn of the page brings the discovery of a new wonder.The wild things--with their mismatched parts and giant eyes--manage somehow to be scary-looking without ever really being scary; at times they're downright hilarious. Sendak's defiantly run-on sentences--one of his trademarks--lend the perfect touch of stream of consciousness to the tale, which floats between the land of dreams and a child's imagination.
This Sendak classic is more fun than you've ever had in a wolf's suit, giggle-stiflingly funny at times, and even manages to reaffirm the notion that there's no place like home.
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Stone Cold, winner of the 1994 Carnegie Medal, serves as a sinister warning to any young runaway and not just because there is a killer on the loose. Narrated by 17-year-old Link, homeless and jobless in London after being driven out of home by a drunken, abusive stepfather, he vividly recounts the day-to-day experiences of a homeless person. Because he tells it like it is, his descriptions of sleeping rough shatter any romantic notions: "So you pick your spot. Wherever it is ... it's going to have a floor of stone, tile, concrete or brick. In other words it's going to be hard and cold. It might be a bit cramped, too--shop doorways often are. And remember, if it's winter you're going to be half-frozen before you even start."If this was just another diatribe on the perils of sleeping rough, the reader's interest would soon wane but it is far more gripping than that. The author alternates Link's tale with that of an unknown serial killer preying on the homeless. You, the reader, see how closely their lives brush against each other and know it's only a matter of time before they clash. Will Link be joining the other recruits in the cellar--what a deterrent that would be! (Age 11 and over.) --Nicola Perry
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The Austere Academy continues Lemony Snicket's Series of Unfortunate Events, the deliciously morbid set of books that began with The Bad Beginning and only got worse.In The Austere Academy, Violet, Klaus and Sunny are at first optimistic--attending school is a welcome change for the book-loving trio, and the academy is allegedly safe from the dreaded Count Olaf, who is after their fortune. Hope dissipates quickly, however, when they meet Vice Principal Nero, a self-professed genius violinist who sneeringly imitates their every word. More dreadful still, he houses them in the tin Orphans Shack, crawling with toe-biting crabs and dripping with a mysterious tan fungus. A beam of light shines through the despair when the Baudelaires meet the Quagmires, two of three orphaned triplets who are no strangers to disaster and sympathize with their predicament. When Count Olaf appears on the scene disguised as Coach Genghis (covering his monobrow with a turban and his ankle tattoo with expensive running shoes), the Quagmires resolve to come to the aid of their new friends. Sadly, this proves to be a hideous mistake.
Snicket disarms us again with his playful juxtapositions--only he can compare bombs with strawberry shortcake (both are as dangerous to make as assumptions), muse on how babies adjust developmentally to the idea of curtains, or ponder why the Baudelaire orphans would not want to be stalks of celery despite their incessant bad luck as humans. We can't get enough of this splendid series of misadventures, and can only wager that swarms of young readers will be right next to us in line for the next installment. (Ages 9 and older) --Karin Snelson, Amazon.com.
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A new Lemony Snicket book is a precious thing. After this volume there are just two episodes to go, so readers must begin to savour every word about the unfortunate adventures of the Baudelaire children. As the clock ticks down to that undoubtedly dynamic dénouement of this whole sorry tale, readers will appreciate this typical tale of villainous miscreants, underwater frivolity and cliff-hanging endings--even if the answers every reader now craves are still tantalisingly out of reach.The Grim Grotto begins, as ever, where the last instalment, The Slippery Slope, ends. Violet, Sunny and Klaus are cascading down the grey waters of the Stricken Stream in a toboggan and again hurtling towards inevitable doom. They are saved in the nick of time by a submarine, The QueeQueg, which is manned by a cast of fascinating characters that contains Captain Widdershins, his stepdaughter Fiona and their long lost friend Phil, from the Lucky Smells Lumbermill.
The crews' task is to retrieve a sugar bowl before the children's evil nemesis, Count Olaf, gets to it first. After serious study, the location of said sugar bowl is determined as the Gorgonian Grotto, coincidentally the home of the incredible poisonous mushroom, Medusoid Mycelium. It's not long, however, before their dangerous mission is interrupted by another disaster--Sunny has come into contact with a mushroom and she needs help fast. This is exactly the sort of moment when it would be least helpful for Olaf to appear on the scene… which of course he does.
It's difficult not to like these books--they follow the same pattern each time but consistently deliver laughs and intrigue like no other book series. Book the Eleventh is another riotous and hilarious adventure that fans will devour in their droves and new readers will find completely unfathomable--despite the regular flashbacks. (Age 9 and over) --John McLay
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Where the Wild Things Are is one of those truly rare books that can be enjoyed equally by a child and a grown-up. If you disagree, then it's been too long since you've attended a wild rumpus. Max dons his wolf suit in pursuit of some mischief and gets sent to bed without supper. Fortuitously, a forest grows in his room, allowing his wild rampage to continue unimpaired. Sendak's colour illustrations (perhaps his finest) are beautiful, and each turn of the page brings the discovery of a new wonder.The wild things--with their mismatched parts and giant eyes--manage somehow to be scary-looking without ever really being scary; at times they're downright hilarious. Sendak's defiantly run-on sentences--one of his trademarks--lend the perfect touch of stream of consciousness to the tale, which floats between the land of dreams and a child's imagination.
This Sendak classic is more fun than you've ever had in a wolf's suit, giggle-stiflingly funny at times, and even manages to reaffirm the notion that there's no place like home.
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Clocking up a whopping 337 pages, The Slippery Slope is the longest volume in Lemony Snicket's Series of Unfortunate Events so far, but Book the Tenth reads so easily and is so entertaining that it actually feels half that length. With only three more books to go now before this popular saga ends, probably miserably, there is now much more of a sense of a single over-arching storyline that is heading towards big revelations and cataclysmic conclusions.All the familiar, well-loved elements of a Lemony Snicket adventure are here again, and the action picks up where it left off at the end of Book the Ninth, The Carniverous Carnival. Violet and Klaus, the oldest of the three Baudelaire orphans, are plummeting down a mountainside in an out-of-control caravan, certain to be smashed to smithereens at any second. Travelling up the mountain in a car is their youngest sibling, Sunny, who has been kidnapped by Count Olaf, his girlfriend Esme Squalor, and their scurrilous sidekicks. Olaf, as ever, is evil and mean and never lets up in his desire to snatch the children's inherited fortune. He really is a villain with a one-track mind.
Violet and Sunny set about saving themselves, then their sister, and then navigating through the Mortmain Mountains to stop their nemesis from committing more really bad deeds. The plotline is as tortured, hilarious and annoying as ever--with tangents explored at every turn--but it's so good nobody will really mind. There are tantalising clues that hint at a Baudelaire parent being alive after all, more possibilities about the secret organisation VFD and help from an unexpected ally.
The author is more careful than ever, now that he is down to writing only one bumper book a year, to give fantastic value for money. The gag quotient per page is stunningly high, and consistently good. The Grim Grotto cannot arrive a moment too soon. (Age 9 and over) --John McLay
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Possibly the coolest colouring book I've ever seen, this is the complete In the Night Kitchen printed in black-and-white line art so that readers can add their own colours. Unlike many colouring books that contain pages of poorly rendered poster art, this offers beautiful lines to colour within and a comic book-like story structure that's interesting enough to reread after it's been coloured.
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