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Books : Fiction : World : Chinese
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It is one of the most famous and powerful stories of humanity pitting itself tragically against the elements. In 1924, when Mallory and Irvine set out to make history by reaching of the summit of Everest and become the first men to stand on the world's tallest mountain, their place in the history books was already assured. But then Odell, also climbing with them, saw the two vanish within 800 feet of the summit--and they were never seen again. Ever since, many have wondered what really took place in the rarefied air at 28,000 feet. Did they in fact reach the summit and perish on the way down? Or were Hilary and Norgay the first men to reach the summit three decades later?
In April 1999, the Mallory and Irvine Research Expedition team set out to retrace the steps of the 1924 expedition. Their aim was to find out the truth behind the many theories about what happened on that fateful first climb. The Ghosts of Everest describes in carefully researched detail the two expeditions, weaving together both climbs with blow- by-blow accounts of the challenges and dangers encountered. Combining a lucid text with archive photographs of the original expedition and breathtaking colour shots of the new climb, this is a fascinating book of considerable power. --Barry Forshaw
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In his new novel Fragrant Harbour John Lanchester, as in his previous books, shows an impressionist's gift for adopting different voices for his narrator. The moral hedonist Tarquin Winot who tells his story in The Debt to Pleasure and the downsized suburbanite whose inner monologues provide the material for Mr Phillips could hardly be more contrasting characters, yet Lanchester makes both equally convincing.
In Fragrant Harbour much of the story is told in the words of Tom Stewart, a young Englishman who sails to Hong Kong in the 1930s and ends up spending the rest of his long life there. The voice of Stewart--reserved, humane and understated--is as finely achieved as those in the earlier novels. Through his eyes we see Hong Kong's 20th-century history. The class-ridden and racially divided society of the 1930s is given the brutal awakening of the Japanese occupation. After the war, the old Hong Kong disappears and the city is transformed by economic boom and entrepreneurial energy. The approaching return of the city to mainland China brings its own problems, anxieties and upheavals.
Against this backdrop, Stewart's life, and particularly his relationship with Maria, a Chinese nun he first meets as he is travelling out from England in 1935, unfolds. Lanchester intertwines personal histories and the city's history with great skill, showing how the past lives on, even in a city as resolutely modern as Hong Kong. The narrator of the book's last section, a young businessman called Matthew Ho, may be the embodiment of the new Hong Kong but, as he knows himself, his life has been decisively marked by the old. --Nick Rennison
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Amy Tan's fourth novel The Bonesetter's Daughter, like her highly successful The Joy Luck Club, explores the conflicts between a Chinese-American woman and her Chinese mother. Set in San Francisco, Ruth and her mother LuLing exercise a frosty commitment to each other. When her mother begins to show signs of Alzheimer's, and her talk of bad luck and curses becomes more jumbled, Ruth realises that her encroaching dependency will change her life. She questions how she will she care for a parent who she mostly resented throughout her childhood. The illness finally prompts Ruth to get her mother's autobiography translated and the central section of the book becomes LuLing's story of her mother, the bonesetter's daughter.
Tan excels at locating the small, quotidian details of Californian domesticity and works the fissures and rifts between the generations very well. She can also blend hip, pop psychology with inherited Chinese lore to amusing effect. But the narrative starts to hum with energy and drive as the story is told from LuLing's perspective. The story shifts to a small Chinese village known as Immortal Heart, in the thirties, where LuLing's mother learnt her father's skill with a splint and special dragon bones dug out of a cave called Monkey's Jaw. The quality of the writing takes on the charm and compulsion of a fable as Ruth's grandmother's tragic life unfolds. In turn, Ruth uses what she learns of the maternal line of resilience to retrieve her own writing voice and vision: "These are the women who shaped her life, who are in her bones...They taught her to worry...They wanted her to get rid of the curses." As she recognises what her mother wants to remember, she begins to define what she wants for her own life.--Cherry Smyth
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"No Western climber or even any Sherpas had been this high, so far this year. We were treading on virgin territory on the ever-changing surface of the glacier. The excitement welled up, and I felt strong. Here I was with those I knew so well, alone and isolated in the rawness and wonder of nature; and it made me feel good."
Facing Up tells the remarkable story of Bear Grylls' ascent of Everest, making him, at the age of 23, the youngest British climber to survive the adventure. Bear is at sometimes quirky and at others reflexive in his account of his months on Everest. "Nobody minds pain occasionally, but the prospect of being at my wit's end for the next two months terrifies me".
Bear battles against all the odds in the pursuit of his childhood dream--to stand on the summit of the world. Somewhat akin to an emotional roller coaster, Bear shares his elation and his despair, from standing on the summit, to swinging precariously in a crevasse in the Icefall. We are witness to the loss off hope being swept aside by grim determination and a restored faith; the pain and discomfort are quashed by his spirit, sense of humour and eccentricity.
Written in an amazingly personable style, incorporating extracts from his diary and select photos from his expedition, Facing Up takes you every extraordinary step of the way. This book is a must for climbers and adventurers everywhere; a remarkable tale. --Chris Hall
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