- Strategy & Simulation
- Walking and Hiking
- U
- Ricci, Nino
- Spiritualism
- Eating Disorders
- Gershwin
- Japan
- Almquist, Greg
- McKenzie, Nancy
- Clark, Douglas W.
- Subliminal & Hypnosis
- Lesbian
- Clegg, Douglas
- Amarillas, Susan
- Aragon, Louis
- Norse & Icelandic Sagas
- Rivers & Lakes
- Hobb, Robin
- General AAS
- Cities & Towns
- Clough, Brenda W.
- Hambly, Barbara
- Anguissola, Sofonsiba
- General AAS
- Watches
- Home and Garden
- UK Electronics
- UK Books
- Health and Personal Care
- UK Sporting Goods
- Clothing, Shoes and Accessories
- Electronics, Gadgets and Computers
- CDs and Music Downloads
- UK Software and Video Games
- UK Toys and Games
- UK Home and Garden
- UK Video Games
- UK Baby Clothes and Accessories
- Books On
- German Electronics
Books : Poetry, Drama & Criticism
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"Each Peach Pear Plum. I spy Tom Thumb!" In this engaging, interactive book for the very young, familiar nursery-rhyme characters such as Mother Hubbard and Baby Bunting sneak their way into the gentle drawings. Even young children who might not know all the fairy-tale stars can find them lurking in the cupboard, on the stairs or deep in the woods. In the happy finale, the whole cast meets up for plum pie in the sun, where the little one on your lap will gleefully find everyone.
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Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You are right there with the young author as he is tormented by poison ivy, gas-passing baby-sitters, uptight schoolmarms and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers and girls in black bras who looked like trailer trash". But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber". As a young adult raising a family in a trailer, King started a story inspired by his stint as a caretaker cleaning a high-school girls' locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolised his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing".King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph and literary models. He shows what you can learn from HP Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Kellerman's Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote. King isn't just a writer, he's a true teacher. --Tim Appelo, Amazon.com
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Winnie the Pooh: The Complete Collection of Stories and Poems was originally published in 1994, but this beautifully produced slip-cased edition has been specially created to commemorate the 75th anniversary of the publication of the very first stories about Winnie the Pooh.It consists of the classic, well-loved, tried-and-tested stories by AA Milne, from "Winnie the Pooh" (1926), "The House at Pooh Corner" (1928) and the poetry from "When We Were Very Young" (1924) and "Now We Are Six" (1927).
Here is Edward Bear coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin. It is, as far as he knows, the only way of coming downstairs, but sometimes he feels that there really is another way, if only he could stop bumping for a moment and think of it. And then he feels that perhaps there isn't. Anyhow, here he is at the bottom, and ready to be introduced to you. Winnie-the-Pooh.
So begins the opening sentences of chapter one of this wonderful book "in which we are introduced to Winnie-the-Pooh... and the stories begin".Although the stories are aimed at young children, older children (i.e.,adults!) of all ages will be able to recapture the wonderful Pooh stories of their childhood, remembering once again playing at Pooh sticks, reading about Hundred Acre Wood and finding out why Edward Bear is called Winnie-the-Pooh. Was he really named after a swan?
The poems are not as well-known as the Pooh stories, but nevertheless some of them are ones to which children can still relate today, even though they were written 75 years ago when, in some circles, nannies and nurseries were commonplace.
Half Way Down
This exquisite book will make an excellent gift for young and old alike. --Susan Naylor
Half way down the stairs
Is a stair
Where I sit
There isn't any
Other stair
Quite Like
It
I'm not at the bottom
I'm not at the top
So this is the stair
Where
I always
Stop
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