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Books : Fiction : Authors, A-Z : S
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On her way home from school on a snowy December day, 14-year-old Susie Salmon is lured into a cornfield and brutally raped and murdered, the latest victim of a serial killer. The Lovely Bones, Alice Sebold's haunting and heartbreaking debut novel, unfolds from heaven, where "life is a perpetual yesterday" and where Susie narrates and keeps watch over her grieving family and friends, as well as her brazen killer and the sad detective working on her case.
As Sebold fashions it, everyone has his or her own version of heaven. Susie's resembles the athletic fields and landscape of a suburban high school: a heaven of her "simplest dreams", where "there were no teachers... We never had to go inside except for art class... The boys did not pinch our backsides or tell us we smelled; our textbooks were Seventeen and Glamour and Vogue".
The Lovely Bones works as an odd yet affecting coming-of-age story. Susie struggles to accept her death while still clinging to the lost world of the living, following her family's dramas over the years. Her family disintegrates in their grief: her father becomes determined to find her killer, her mother withdraws, her little brother Buckley attempts to make sense of the new hole in his family and her younger sister Lindsey moves through the milestone events of her teenage and young adult years with Susie riding spiritual shotgun. Random acts and missed opportunities run throughout the book--Susie recalls her sole kiss with a boy on earth as "like an accident--a beautiful gasoline rainbow".
Though sentimental at times, The Lovely Bones is a moving exploration of loss and mourning that ultimately puts its faith in the living and that is made even more powerful by a cast of convincing characters. Sebold orchestrates a big finish and though things tend to wrap up a little too well for everyone in the end, one can only imagine (or hope) that heaven is indeed a place filled with such happy endings. --Brad Thomas Parsons, Amazon.com
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"Somewhere," muses Noah Calhoun, while sitting on his porch in the moonight, "there were people making love." Anyway, head elsewhere for Great Literature, but if you're in the market to get your heartstrings plucked, look no further. The Notebook, a Southern-fried story of love-lost-and-found-again, revolves around a single time-honored romantic dilemma: will beautiful Allison Nelson stay with Mr. Respectability (to whom she happens to be engaged), or will she hook up with Noah, the romantic rascal she left so many years ago? We're not telling, but you have two guesses and the first one doesn't count. Decades later, after Allison develops Alzheimer's, her beau uses "the notebook" to read her the story of the great love she's plumb forgot. The Notebook--film rights already sold, thank you very much--is a little glazed doughnut of a book: sticky- sweet, satisfying, not much nourishment. But who cares? Take an extra vitamin and indulge.
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In the prologue to his latest novel, Nicholas Sparks makes the rather presumptuous pledge "first you will smile, and then you will cry," but sure enough, he delivers the goods. With his calculated ability to throw your heart around like a yo-yo (try out his earlier Message in the Bottle or The Notebook if you really want to stick it to yourself), Sparks pulls us back to the perfect innocence of a first love.
In 1958 Landon Carter is a shallow but well-meaning teenager who spends most of his time hanging out with his friends and trying hard to ignore the impending responsibilities of adulthood. Then Landon gets roped into acting the lead in the Christmas play opposite the most renowned goody two-shoes in town: Jamie Sullivan. Against his best intentions and the taunts of his buddies, Landon finds himself falling for Jamie and learning some central lessons in life.
Like John Irving's A Prayer for Owen Meany, Sparks maintains a delicate and rarely seen balance of humor and sentiment. While the plot may not be the most original, this boy-makes-good tearjerker will certainly reel in the fans. Look for a movie starring beautiful people or, better yet, snuggle under the covers with your tissues nearby and let your inner sap run wild. --Nancy R.E. O'Brien
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On her way home from school on a snowy December day, 14-year-old Susie Salmon is lured into a cornfield and brutally raped and murdered, the latest victim of a serial killer. The Lovely Bones, Alice Sebold's haunting and heartbreaking debut novel, unfolds from heaven, where "life is a perpetual yesterday" and where Susie narrates and keeps watch over her grieving family and friends, as well as her brazen killer and the sad detective working on her case.
As Sebold fashions it, everyone has his or her own version of heaven. Susie's resembles the athletic fields and landscape of a suburban high school: a heaven of her "simplest dreams", where "there were no teachers... We never had to go inside except for art class... The boys did not pinch our backsides or tell us we smelled; our textbooks were Seventeen and Glamour and Vogue".
The Lovely Bones works as an odd yet affecting coming-of-age story. Susie struggles to accept her death while still clinging to the lost world of the living, following her family's dramas over the years. Her family disintegrates in their grief: her father becomes determined to find her killer, her mother withdraws, her little brother Buckley attempts to make sense of the new hole in his family and her younger sister Lindsey moves through the milestone events of her teenage and young adult years with Susie riding spiritual shotgun. Random acts and missed opportunities run throughout the book--Susie recalls her sole kiss with a boy on earth as "like an accident--a beautiful gasoline rainbow".
Though sentimental at times, The Lovely Bones is a moving exploration of loss and mourning that ultimately puts its faith in the living and that is made even more powerful by a cast of convincing characters. Sebold orchestrates a big finish and though things tend to wrap up a little too well for everyone in the end, one can only imagine (or hope) that heaven is indeed a place filled with such happy endings. --Brad Thomas Parsons, Amazon.com
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