- General AAS
- Directories
- North Cascades
- Jones, John G.
- Moliere
- Microsoft Office XP
- Stover, Deb
- Law
- Norfolk
- Novelists
- Costume
- Courts & Procedure
- Reference
- Audio CDs
- Distributed Databases
- Archaeology
- Health & Social Care
- Fun Facts & Trivia
- General AAS
- Duras, Marguerite
- PL & SQL
- General AAS
- Wheatley, Dennis
- Canterbury
- Toxicology
- Watches
- Home and Garden
- UK Electronics
- UK Books
- Health and Personal Care
- UK Sporting Goods
- Clothing, Shoes and Accessories
- Electronics, Gadgets and Computers
- CDs and Music Downloads
- UK Software and Video Games
- UK Toys and Games
- UK Home and Garden
- UK Video Games
- UK Baby Clothes and Accessories
- Books On
- German Electronics
Books
-
A young girl lies in a hospital room, her tattooed body very close to death -- there is a bullet lodged in her brain. Several rooms away is the man who tried to kill her, his own body grievously wounded from axe blows inflicted by the girl he has tried to kill. She is Lisbeth Salander, computer hacker and investigator, and the man is her father, a murderous Russian gangster. If Salander recovers from her injuries, she is more than likely to be put on trial for three murders -- the authorities regard her as a dangerous individual. But she won't see the inside of a courtroom if her father manages to kill her first.This is the high-tension opening premise of the third book in Stieg Larsson’s phenomenally successful trilogy of crime novels which the late author (a crusading journalist) delivered to his publisher just before his death. But does it match up to its two electrifying predecessors, The Girl with the Dragon Tattoo and The Girl who Played with Fire? The success of Larsson’s remarkable sequence of books is, to some degree, unprecedented. Crime fiction in translation has, of course, made a mark before (notably with Peter Hoeg’s Miss Smilla’s Feeling for Snow, published, in fact, by Larsson's British publisher, Christopher MacLehose). But even the success of that book gave no hint of the juggernauts that the Salander books would be (the late author's secondary hero is the journalist Blomqvist -- who bears more than a passing resemblance to Stieg Larsson himself).
There are two overriding reasons for the hold that this massive trilogy has attained on the public: machine-tooled plotting which juggles the various narrative elements with a master's touch and (above all) the vividly realised character of Lisbeth Salander herself. She is something of a unique creation in the field of crime and thriller fiction: emotionally damaged, vulnerable and sociopathic (all of this concealed behind a forbidding Goth appearance), but she is also the ultimate survivor, somehow managing to stay alive despite the machinations of some deeply unpleasant villains (and the new book has a slew of those) as well as the hostility of often stupid establishment figures, who want her out of the picture quite as passionately as the bad guys. She is, of course, aided by the protective journalist Blomqvist, despite the fact that she had dumped him as a lover. The Girl who Kicked the Hornet’s Nest brings together all the elements that have made the previous books of the sequence so successful. Its relentless pace may be a bit exhausting for some readers, but most will be happy to strap themselves in for the ride. It's just a shame that this will be the final book in the sequence (though conspiracy theorists are hinting that Larsson began another manuscript before his untimely death…) --Barry Forshaw
-
-
Stieg Larsson gleaned a remarkable degree of success before his too-early death in 2004. He had delivered to his publisher three remarkable crime novels; the initial book in his ‘Millennium’ sequence, The Girl with the Dragon Tattoo, had enjoyed an unprecedented success in his native Sweden before the translation took the UK by storm. Larsson had made a considerable mark as a crusading journalist, with a speciality in tackling political extremist groups. But he offered assistance to many people and groups who he felt were vulnerable – something of a modern hero, in fact.One of Larsson's key achievements as a writer was to create an innovative kind of heroine for the crime novel. His unconventional sleuth, the highly intelligent computer hacker Lisbeth Salander, is a confrontational young woman, whose Goth accoutrements sometimes alienate those around her (except the individuals she opts to have sexual relations with – strictly, that is, according to the rules she lays down). In the second book in the Millennium sequence, The Girl Who Played with Fire (as in its its predecessor), Lisbeth's closest ally is the older journalist Mikael Blomqvist, even though she has abruptly ended her emotional relationship with him. Lisbeth has left all she knows behinds her and has begun a relationship with a gauche young lover. But after a grim revenge run-in with a man who has abused her, she becomes a suspect in three murders, and is the subject of a nationwide search. Blomqvist, however, is convinced of her innocence (he has just been responsible for a blistering report on the sex trafficking industry in Sweden), and is determined to help her – whether she wants his help or not.
As with Larsson’s earlier book, this is highly compelling fare, with tautly orchestrated suspense; it's often grisly and uncompromising (not a problem for many readers), and the massive text may be longer than is good for it, but Larsson admirers won't begrudge the late author a word,and will be impatient for the third (and, regrettably, concluding) book in the sequence. --Barry Forshaw
-
-
-
There was some excitement recently at the offices of Transworld, publisher of the British thriller writer Lee Child, who has so successful conquered America with his Jack Reacher adventures. Child usually produces only one novel featuring his tough ex-army action hero each year, but the latest book, 61 Hours, will be followed up with a speedily issued second new Reacher-related novel this autumn. 61 Hours -- admirers will, of course, have to have both. Sales of such Child novels as Gone Tomorrow have exceed 74,000 copies – and he continues his upwards ascent, singularly unimpeded. But the new book has Jack Reacher in the most extreme danger of his career.South Dakota is shivering under an icy winter, and the roads are particularly treacherous. As a snow storm gathers force, the tyres of a bus skid and there is a crash, stranding the bus and its passengers. And if you think that this atmospheric set-up sounds like the perfect introduction to a Jack Reacher novel, how right you are: Lee Child's granite-tough hero has hitched a ride in the back of the bus, and finds himself (like the other passengers -- a particularly ill assorted group) facing the problems of surviving in sub-arctic weather. Needless to say, Jack is able to draw on more resources in such a situation than many of his fellow passengers. Some 20 miles away from the crash is a small town, where a key witness is being guarded against sinister individuals bent on murder. And another elements in this combustible mix includes an omniscient figure who is to have a crucial role in the dramatic events that follow -- even though this figure is many miles from the frigid landscape that Jack Reacher is marooned in.
All of this is typically suspenseful fare (in fact, the real surprise would be if it weren’t -- Child is one of the most reliable writers on the face of the planet). And there’s an ending quite unlike any other Jack Reacher novel you have read. Lee Child aficionados need not hesitate. --Barry Forshaw
-
-
'Bella?' Edward's soft voice came from behind me. I turned to see him spring lightly up the porch steps, his hair windblown from running. He pulled me into his arms at once, and kissed me again._ As Seattle is ravaged by a string of mysterious killings, and a malicious vampire continues her quest for revenge, Bella once again finds herself surrounded by danger. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob. Whatever she chooses, her decision has the potential to reignite the ageless war between vampire and werewolf. And with her graduation approaching, Bella has one more decision to make: life or death. But which is which? The stunning third book in Stephenie Meyer's captivating saga of vampire romance.
-
# Paperback: 768 pages # Publisher: ATOM (4 Aug 2008) # Language English # ISBN-10: 1905654286 # ISBN-13: 978-1905654284
-
-
On her way home from school on a snowy December day, 14-year-old Susie Salmon is lured into a cornfield and brutally raped and murdered, the latest victim of a serial killer. The Lovely Bones, Alice Sebold's haunting and heartbreaking debut novel, unfolds from heaven, where "life is a perpetual yesterday" and where Susie narrates and keeps watch over her grieving family and friends, as well as her brazen killer and the sad detective working on her case.As Sebold fashions it, everyone has his or her own version of heaven. Susie's resembles the athletic fields and landscape of a suburban high school: a heaven of her "simplest dreams", where "there were no teachers... We never had to go inside except for art class... The boys did not pinch our backsides or tell us we smelled; our textbooks were Seventeen and Glamour and Vogue".
The Lovely Bones works as an odd yet affecting coming-of-age story. Susie struggles to accept her death while still clinging to the lost world of the living, following her family's dramas over the years. Her family disintegrates in their grief: her father becomes determined to find her killer, her mother withdraws, her little brother Buckley attempts to make sense of the new hole in his family and her younger sister Lindsey moves through the milestone events of her teenage and young adult years with Susie riding spiritual shotgun. Random acts and missed opportunities run throughout the book--Susie recalls her sole kiss with a boy on earth as "like an accident--a beautiful gasoline rainbow".
Though sentimental at times, The Lovely Bones is a moving exploration of loss and mourning that ultimately puts its faith in the living and that is made even more powerful by a cast of convincing characters. Sebold orchestrates a big finish and though things tend to wrap up a little too well for everyone in the end, one can only imagine (or hope) that heaven is indeed a place filled with such happy endings. --Brad Thomas Parsons, Amazon.com
-
-
Dazed and disorientated, I looked up from the bright red blood pulsing out of my arm - and into the fevered eyes of the six suddenly ravenous vampires. For Bella Swan, there is one thing more precious than life itself: Edward Cullen. It's just as well she feels that way, for loving him will be a deadly game... Edward has already rescued Bella from the clutches of an evil vampire. But now, as their taboo relationship threatens all that is near and dear to them, their true troubles are only just beginning... The second tale of blood, passion and love that defies all boundaries in Stephenie Meyer's hypnotic 'Twilight' saga.
-
-
-
-
-
-
Shutter Island is something of a departure for Dennis Lehane. It is not like the private eye novels with which he made his name and it is not especially like Mystic River, his distinguished crime novel about murder, loyalty and revenge. Instead, he gives us a classic of psychological suspense--US Marshal Teddy is summoned to a remote hospital for the criminally insane to look for a missing patient and finds his own future and sanity on the line. It is the 1950s and experiments with drugs, conditioning and brain surgery are all the rage both in the psychiatric profession and in the shadow world of government agencies.Teddy rapidly becomes aware that no-one he is talking to is remotely telling him the truth and that he cannot be wholly sure even of his charming new partner. As the island hospital is isolated by a hurricane, we find ourselves unable to trust a single thing that the narrative tells us--Lehane displays a gift for sleight of hand which is showily disorienting. At the same time, this is not just a box of tricks. We find ourselves caring deeply for Teddy and his partner Chuck, whatever is going on and whoever they really are.--Roz Kaveney
-
